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Julius Caesar’s Self-Created

Image and Its Dramatic Afterlife

Bloomsbury Studies in Classical Reception

Bloomsbury Studies in Classical Reception presents scholarly monographs

offering new and innovative research and debate to students and scholars in

the reception of Classical Studies. Each volume will explore the

appropriation, reconceptualization and recontextualization of various aspects

of the Graeco-Roman world and its culture, looking at the impact of the

ancient world on modernity. Research will also cover reception within

antiquity, the theory and practice of translation, and reception theory.

Also available in the series:

Ancient Magic and the Supernatural in the Modern Visual and

Performing Arts,

edited by Filippo Carlà and Irene Berti

Ancient Greek Myth in World Fiction since 1989,

edited by

Justine McConnell and Edith Hall

The Codex Fori Mussolini,

Han Lamers and Bettina Reitz-Joosse

The Gentle, Jealous God,

Simon Perris

Greek and Roman Classics in the British Struggle for Social Reform,

edited by Henry Stead and Edith Hall

Imagining Xerxes,

Emma Bridges

Ovid’s Myth of Pygmalion on Screen,

Paula James

Victorian Classical Burlesques,

Laura Monrós-Gaspar

Julius Caesar’s Self-Created

Image and Its Dramatic Afterlife

Miryana Dimitrova