Salila Kulshreshtha - From Temple to Museum. Colonial Collections and Umā Maheśvara Icons in the Middle Ganga Valley (Archaeology and Religion in South Asia) (2018) [Retail].pdf

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From Temple to Museum
Religious icons have been a contested terrain across the world. Their implica-
tions and understanding travel further than the artistic or the aesthetic and
inform contemporary preoccupations. This book traces the lives of religious
sculptures beyond the moment of their creation. It lays bare their purpose and
evolution by contextualising them in their original architectural or ritual set-
ting while also following their displacement. The work examines how these
images may have moved during different spates of temple renovation and
acquired new identities by being relocated either within sacred precincts or
in private collections and museums, art markets or even desecrated and lost.
The book highlights contentious issues in Indian archaeology such as rene-
gotiating identities of religious images, reuse and sharing of sacred space by
adherents of different faiths, rebuilding of temples and consequent reinvention
of these sites. The author also engages with postcolonial debates surround-
ing history writing and knowledge creation in British India and how colonial
archaeology, archival practices, official surveys and institutionalisation of
museums have influenced the current understanding of religion, sacred space
and religious icons. In doing so it bridges the historiographical divide between
the ancient and the modern as well as socio-religious practices and their insti-
tutional memory and preservation.
Drawn from a wide-ranging and interdisciplinary study of religious sculp-
tures, classical texts, colonial archival records, British travelogues, official
correspondences and fieldwork, the book will interest scholars and research-
ers of history, archaeology, religion, art history, museums studies, South Asian
studies and Buddhist studies.
Salila Kulshreshtha
is an independent researcher currently based in Dubai. She
has taught Art History, History and Humanities in Mumbai at Rizvi College
of Architecture and Indian Education Society’s College of Architecture and
in the USA at the Old Dominion University and Virginia Wesleyan College.
She secured her PhD in History from the Centre for Historical Studies, Jawa-
harlal Nehru University, New Delhi, India. Her doctoral research focuses on
how the spatial relocation of sacred sculptures brings about a change in their
identity and ritual purpose. She has worked on issues of urban heritage and
heritage education with INTACH and with the Dr Bhau Daji Lad Mumbai
City Museum. Her forthcoming publications include
Removable Heritage:
Nalanda Beyond the Mahavihara
and
Between Shrines and Monuments: Heri-
tage of Sacred Spaces in South Bihar
. She has also published with the online
journal
wire.in
. Her research interests include religious iconography, afterlives
of shrines, colonial archaeology and the making of museums in South Asia.
Archaeology and Religion
in South Asia
Series Editor: Himanshu Prabha Ray, Ludwig Maximillian University
Munich, Germany; former Chairperson of the National Monuments
Authority, Ministry of Culture, Government of India and former
Professor, Centre for Historical Studies, Jawaharlal Nehru University,
New Delhi, India
Editorial Board:
Gavin Flood, Academic Director, Oxford Centre for
Hindu Studies; Jessica Frazier, Academic Administrator, Oxford Cen-
tre for Hindu Studies; Julia Shaw, Institute of Archaeology, University
College, London; Shailendra Bhandare, Ashmolean Museum, Oxford;
Devangana Desai, Asiatic Society, Mumbai; and Vidula Jaiswal, Jnana
Pravaha, Varanasi, former Professor, Banaras Hindu University
This Series, in association with the Oxford Centre for Hindu Studies,
reflects on the complex relationship between religion and society through
new perspectives and advances in archaeology. It looks at this critical
interface to provide alternative understandings of communities, beliefs,
cultural systems, sacred sites, ritual practices, food habits, dietary modi-
fications, power and agents of political legitimisation. The books in the
Series underline the importance of archaeological evidence in the pro-
duction of knowledge of the past. They also emphasise that a systematic
study of religion requires engagement with a diverse range of sources such
as inscriptions, iconography, numismatics and architectural remains.
Books in this series
Archaeology and Religion in Early Northwest India
History, Theory, Practice
Daniel Michon
Negotiating Cultural Identity
Landscapes in Early Medieval South Asian History
Edited by Himanshu Prabha Ray
For a full list of titles in this series, please visit
www.routledge.com/
Archaeology-and-Religion-in-South-Asia/book-series/AR
From Temple to Museum
Colonial Collections and
Uma Mahesvara Icons in the
Middle Ganga Valley
Salila Kulshreshtha
First published 2018
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
711 Third Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
© 2018 Salila Kulshreshtha
The right of Salila Kulshreshtha to be identified as author of this
work has been asserted by her in accordance with sections 77 and
78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or
reproduced or utilised in any form or by any electronic, mechanical,
or other means, now known or hereafter invented, including
photocopying and recording, or in any information storage or
retrieval system, without permission in writing from the publishers.
Trademark notice
: Product or corporate names may be trademarks
or registered trademarks, and are used only for identification and
explanation without intent to infringe.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
A catalog record for this book has been requested
ISBN: 978-1-138-20249-8 (hbk)
ISBN: 978-1-315-12121-5 (ebk)
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