11. Philippa Maddern, Joanne McEwan, Anne M. Scott - Performing Emotions in Early Europe (Early European Research, Book 11) [Retail].pdf

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P
erforming
E
motions
in
E
arly
E
urope
EARLY EUROPEAN RESEARCH
Series founded by the Australian Research Council Network for
Early European Research, and now directed by The University of
Western Australia Centre for Medieval and Early Modern Studies.
General Editors
Andrew Lynch,
University of Western Australia
Claire McIlroy,
University of Western Australia
Editorial Board
Tracy Adams,
University of Auckland
Emilia Jamroziak,
University of Leeds
Matthias Meyer,
Universität Wien
Fabrizio Ricciardelli,
Kent State University Florence Center
Juanita Feros Ruys,
University of Sydney
Jón Viðar Sigurðsson,
Universitetet i Oslo
Nicholas Terpstra,
University of Toronto
Previously published volumes in this series are listed at the back of the book
Volume 11
P
erforming
E
motions
in
E
arly
E
urope
Edited by
Philippa Maddern, Joanne McEwan,
and Anne M. Scott
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library.
© 2018, Brepols Publishers n.v., Turnhout, Belgium
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
electronic, mechanical, photocopying, recording, or otherwise,
without the prior permission of the publisher.
D/2018/0095/144
ISBN: 978-2-503-57237-6
e-ISBN: 978-2-503-57296-3
DOI: 10.1484/M.EER-EB.5.113963
Printed on acid-free paper
C
ontents
List of Illustrations
Acknowledgements
Introduction: Performing Emotions in
Medieval and Early Modern Worlds
PHILIPPA MADDERN, JOANNE McEWAN, and ANNE M. SCOTT
vii
xi
xiii
Part I. Emotional Performativity in Music,
Literature, and the Visual Arts
Emotion, Time, and Music at Cambrai Cathedral
MATTHEW S. CHAMPION
3
‘Affecting glory from vices’:
Negotiating Shame in Prostitution Texts, 1660–1750
EMILY COCk
27
Pageant, Spectacle, Dread, and Love in
Piers Plowman,
Brueghel’s
Triumph of Death,
and the Good Samaritan
Window of Bourges Cathedral
ANNE M. SCOTT
51
Affected Bodies and Bodily Affect:
Visualizing Emotion in Renaissance Plague Images
LOUISE MARSHALL
73

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