1999 - Cook - Music, Cognition, and Computerized Sound Introduction to Psychoacoustics.pdf

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Music, Cognition, and Computerized Sound : An
Introduction to Psychoacoustics
Cook, Perry R.
MIT Press
0262032562
9780262032568
9780585070346
English
Music--Acoustics and physics, Psychoacoustics, Music--
Psychological aspects.
1999
ML3805.M8814 1999eb
781/.11
Music--Acoustics and physics, Psychoacoustics, Music--
Psychological aspects.
cover
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Music, Cognition, and Computerized Sound
An Introduction to Psychoacoustics
edited by Perry R. Cook
The MIT Press
Cambridge, Massachusetts
London, England
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page_iv
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Page i
© 1999 Perry R. Cook
All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means
(including photocopying, recording, or information storage and retrieval) without permission in writing from the
publisher.
This book was set in Helvetica and Melior by Graphic Composition, Inc. and was printed and bound in the United
States of America.
Library of Congress Cataloging-in-Publication Data
Music, cognition, and computerized sound: an introduction to psychoacoustics / Perry R. Cook, editor.
p. cm.
Includes bibliographical references and index.
ISBN 0-262-03256-2 (h : alk. paper)
1. MusicAcoustics and physics. 2. Psychoacoustics. 3. MusicPsychological aspects.
I. Cook, Perry R.
ML3805.M8814 1999
781'.11dc21
CIP
MN
98-16783
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Page ii
Contents
Introduction
About the Authors
1. The Ear and How It Works
Max Mathews
2. The Auditory Brain
Max Mathews
3. Cognitive Psychology and Music
Roger Shepard
4. Sound Waves and Sine Waves
John Pierce
5. Introduction to Pitch Perception
John Pierce
6. What Is Loudness?
Max Mathews
7. Introduction to Timbre
Max Mathews
8. Hearing in Time and Space
John Pierce
9. Voice Physics and Neurology
Perry R. Cook
10. Stream Segregation and Ambiguity in Audition
Roger Shepard
11. Formant Peaks and Spectral Valleys
Perry R. Cook
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Page iii
12. Articulation in Speech and Sound
Perry R. Cook
13. Pitch Perception And Measurement
Roger Shepard
14. Consonance and Scales
John Pierce
15. Tonal Structure and Scales
Roger Shepard
16. Pitch, Periodicity, and Noise in the Voice
Perry R. Cook
17. Memory for Musical Attributes
Daniel J. Levitin
18. Haptics
Brent Gillespie
19. Haptics in Manipulation
Brent Gillespie
20. Perceptual Fusion and Auditory Perspective
John Chowning
21. Passive Nonlinearities in Acoustics
John Pierce
22. Storage and Reproduction of Music
John Pierce
23. Experimental Design in Psychoacoustic Research
Daniel J. Levitin
Appendix A: Suggested Lab Exercises
Appendix B: Questions and Thought Problems
Appendix C: Sound Examples on CD
Index
139
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361
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