12. Michele Marrapodi - Shakespeare and Renaissance Literary Theories. Anglo-Italian Transactions (Anglo-Italian Renaissance Studies, Book 12) [Retail].pdf

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Shakespeare and Renaissance
Literary Theories
Anglo-Italian Transactions
Edited by
Michele Marrapodi
SHAKESPEARE AND RENAISSANCE
LITERARY THEORIES
ANGLO-ITALIAN RENAISSANCE STUDIES SERIES
Series Editors
General Editor: Michele Marrapodi, University of Palermo, Italy
Advisory Editors: Keir Elam, University of Bologna, Italy
Robert Henke, Washington University, USA
This series aims to place early modern English drama within the context of the
European Renaissance and, more specifically, within the context of Italian cultural,
dramatic, and literary traditions, with reference to the impact and influence of both
classical and contemporary culture. Among the various forms of influence, the
series considers early modern Italian novellas, theatre, and discourses as direct or
indirect sources, analogues and paralogues for the construction of Shakespeare’s
drama, particularly in the comedies, romances, and other Italianate plays. Critical
analysis focusing on other cultural transactions, such as travel and courtesy books,
the arts, fencing, dancing, and fashion, will also be encompassed within the scope
of the series. Special attention is paid to the manner in which early modern English
dramatists adapted Italian materials to suit their theatrical agendas, creating new
forms, and stretching the Renaissance practice of
contaminatio
to achieve, even
if unconsciously, a process of rewriting, remaking, and refashioning of ‘alien’
cultures. The series welcomes both single-author studies and collections of essays
and invites proposals that take into account the transition of cultures between the
two countries as a bilateral process, paying attention also to the penetration of
early modern English culture into the Italian world.
OTHER TITLES IN THE SERIES
Visions of Venice in Shakespeare
Edited by Laura Tosi and Shaul Bassi
Shakespeare and Venice
Graham Holderness
Pollastra and the Origins of
Twelfth Night
Parthenio, commedia
(1516) with an English Translation
Louise George Clubb
Translating Women in Early Modern England
Gender in the Elizabethan Versions of Boiardo, Ariosto and Tasso
Selene Scarsi
Machiavelli in the British Isles
Two Early Modern Translations of
The Prince
Alessandra Petrina
Shakespeare and Renaissance
Literary Theories
Anglo-Italian Transactions
Edited by
MICHELE MARRAPODI
University of Palermo, Italy
First published 2011 by Ashgate Publishing
Published 2016 by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA
Routledge is an imprint of the Taylor & Francis Group, an informa business
Copyright
© The editor and contributors 2011
The contributors have asserted their right under the Copyright, Designs and Patents Act, 1988, to be
identified as the authors of this work.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by
any electronic, mechanical, or other means, now known or hereafter invented, including
photocopying and recording, or in any information storage or retrieval system, without permission in
writing from the publishers.
Notice:
Product or corporate names may be trademarks or registered trademarks, and are used only for
identification and explanation without intent to infringe.
British Library Cataloguing in Publication Data
Shakespeare and Renaissance literary theories : Anglo-Italian transactions. – (Anglo-Italian
Renaissance studies)
1. Shakespeare, William, 1564–1616 – Criticism and interpretation. 2. Shakespeare, William,
1564–1616 – Knowledge – Italy. 3. English drama – Early modern and Elizabethan, 1500–1600
– History and criticism. 4. English drama – 17th century – History and criticism. 5. English
drama – Italian influences. 6. Comparative literature – English and Italian. 7. Comparative
literature – Italian and English. 8. Renaissance – England.
I. Series
822.3’3–dc22
Library of Congress Cataloging-in-Publication Data
Shakespeare and Renaissance literary theories : Anglo-Italian transactions / [edited by]
Michele Marrapodi.
p. cm. – (Anglo-Italian Renaissance studies)
Includes bibliographical references and index.
ISBN 978–1–4094–2149–8 (hardback : alk. paper) – ISBN 978–1–4094–2150–4 (ebook)
1. Shakespeare, William, 1564–1616 – Knowledge – Italy. 2. English drama – Italian influences.
3. English drama – Early modern and Elizabethan, 1500–1600 – History and criticism – Theory,
etc. 4. Influence (Literary, artistic, etc.) – History – 16th century. 5. Influence (Literary, artistic,
etc.) – History – 17th century. 6. Comparative literature – English and Italian. 7. Comparative
literature – Italian and English. 8. Renaissance – England. 9. Italy – In literature.
I. Marrapodi, Michele.
PR3069.I8S495 2010
822.3’3–dc22
2010038093
ISBN 9781409421498 (hbk)
ISBN
9781315608587
(ebk)
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