[Trendall, A.D., and Alexander Cambitoglou. 1983] First Supplement to the Red-Figured Vases of Apulia(1).pdf

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FIRST SUPPLEMENT TO THE RED-FIGURED VASES OF APULIA
Author(s): A.D. Trendall and Alexander Cambitoglou
Source:
Bulletin Supplement (University of London. Institute of Classical Studies)
, 1983,
No. 42, First Supplement to THE RED-FIGURED VASES OF APULIA (1983), pp. iii, v-xix,
1, 3-59, 61-205, 207-252
Published by: Oxford University Press
Stable URL: https://www.jstor.org/stable/43768354
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FIRST SUPPLEMENT
TO
THE RED-FIGURED VASES OF APULIA
by
A.D. Trendall
and
Alexander Cambitoglou
University of London
INSTITUTE OF CLASSICAL STUDIES
BULLETIN SUPPLEMENT No. 42
1983
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CONTENTS
Preface and Acknowledgements vii
List
of
Plates
and
Photo
Credits
ix
Additional
Bibliography
xv
VOL. I. EARLY AND MIDDLE APULIAN
CHAPTER 1 The Sisyphus Group 3
2 The Beginnings of the Ornate Style 4
4 Followers of the Tarporley Painter (A) 8
5 Followers of the Tarporley Painter (B)
The Hoppin- Lecce Workshop 13
6 Followers of the Tarporley Painter (C)
The Karlsruhe B 9 - Dijon Group 17
3
The
Tarporley
Group
5
7 Early Ornate Vases 21
8 The Iliupersis Painter and Associates 25
9 Followers of the Plain Style Tradition (A)
Painters influenced by the Dijon Group 28
10 Followers of the Plain Style Tradition (B)
1
The Judgement Group, etc. 33
1 Opera Minora 36
12 The Snub-Nose Painter and Associates 41
13 The Varrese Painter and Associates 45
14 Followers of the Snub-Nose and Varrese Painters 49
15 The Rise of the Baroque Style 55
16 The Lycurgus Painter and his Circle 56
VOL. II. LATE APULIAN
17 Followers of the Snub-Nose and Varrese Painters
in the Ornate Style 61
18 The Circle of the Darius and Underworld Painters:
19 The Circle of the Darius and Underworld Painters:
(A)
Larger
Vases
68
20 The Circle of the Darius and Underworld Painters:
(B)
Hydriai
89
21 Smaller Vases associated with the Gioia del Colle,
Darius and Underworld Painters:
(C) Painters in the tradition of the Plain Style 92
(A) With figured scenes 103
22 Smaller Vases associated with the Gioia del Colle,
Darius and Underworld Painters:
(B) Vases decorated with heads 111
v
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23 The Patera Painter and Associates 128
24 The Amphorae Group 134
25 The Ganymede Painter and associated vases 137
26 Smaller vases associated with the Patera and
Ganymede Painters 140
27 The Baltimore and Stoke-on-Trent Painters
and vases associated with them 146
28 Followers of the Patera and Baltimore Painters 169
29 The White Saccos - Kantharos Groups 181
30 The end of the red-figured style 200
INDEXES
207
I
Collections
208
II
Vases
already
listed
III Concordance with CV A and other works 237
new or changed inventory numbers 234
IV Vases with subjects of mythological or other interest 2
POST-SCRIPT
251
vi
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PREFACE AND ACKNOWLEDGEMENTS
The Post-script to the Preface of Volume II of The Red-figured Vases of Apulia
drew attention to the fact that a considerable number of Apulian vases had come to our
notice since the MS went to the printers. It was possible to include most of those which
could be attributed to painters dealt with in Volume I in the Appendix on pp. 1040-1066
of Volume II, but it proved impracticable to provide, as had been our original intention,
an Addendum listing the Late Apulian vases. During the past two years many more vases
have come to light, and the present Supplement aims at bringing R VAp up to date by in-
cluding all the new material that has appeared between its publication and the latter part
of 1982. Some of it has come from recent excavations in Apulia, especially at Canosa,
Conversano and Rutigliano; some has resulted from the publication of small public col-
lections (e.g. Cremona, Torcello) or comes from private collections, previously inacces-
sible or unknown to us; the remaining vases have mostly appeared at auction sales or on
the market in Europe and America. We have tried to include all the more significant
items, but no doubt many will have escaped our notice. It should perhaps also be noted
that some of the smaller vases (especially those decorated with single figures or female
heads) reappear on the market quite frequently, and it is not always easy to keep track of
their movements or, in some cases, to identify an individual vase, unless it happens to
have been illustrated in the relevant Sale Catalogues; it is, therefore, possible that the
same vase could sometimes be listed twice (e.g. in the Kantharos Group) under different
locations. We have not included a number of small vases which it is almost impossible to
attribute with any degree of precision, and there are still a few larger vases which we have
not been able to place, although the new material has enabled us to reduce their number
to some extent.
The same general arrangement has been adopted for th e Supplement as for RVAp,
but at the head of each chapter there are included "Additional References" to subsequent
publications of the vases in that chapter listed in the original volumes. This is followed
by the addenda to the actual vase-lists. We did not feel it necessary to discuss most of
the new attributions in any great detail, since the relevant stylistic characteristics, on
which the attributions are based, have already been given in Volumes I and II. When,
however, the new material calls for some reappraisal of our earlier judgements, a fuller
discussion is given (e.g. in the introductory sections to Chapters 17, 18, 27 and 29);
similar treatment is accorded to vases with subjects of exceptional interest, especially
when they have not appeared before in Apulian.
The Bibliography has been brought up to date to include works published in 1980-
82, but several of the volumes listed in it did not reach us until the text had been type-set
and it was not therefore possible to include full references to them in this Supplement.
As the number of plates had to be restricted, our choice of illustrative material was
vii
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