Complete Guide to Digital Infrared Photography - Joe Farace.pdf

(13068 KB) Pobierz
Acknowledgment .................................................................. 5
Infrared Filters ........................................................................ 46
How Do Filters Work? ...................................................... 46
Foreword .................................................................................. 8
Filters for IR Photography ................................................ 48
Semi-Famous Filter Facts .................................................. 48
Cleaning Filters .................................................................. 49
Analyzing Transmission Rates and Filter Numbers .. .50
Flare ...................................................................................... 52
Filter Choices ...................................................................... 53
Standing on Three Legs ............................................ 55
Different Filters Give Different Effects .................. 56
Premium IR Filters .................................................... 56
Using Filters with Non-SLR Digital Cameras .. . .58
Profiles in Infrared: Chip Talbert .................................... 60
Introduction ............................................................................ 12
Welcome to the World of Infrared .................................. 13
What is Infrared Light? .................................................... 14
A Note about Infrared Film .............................................. 17
What's in This Book? ........................................................ 17
Getting the Image on Your Sensor ................................ 18
Is Your Digital Camera IR Sensitive?
18
Test Your Camera for IR Capability ........................ 21
Cleanliness is Next to Godliness .................................... 21
IR Conversions .................................................................. 22
Recording and Processing JPEG Images for IR ............ 24
Recording and Processing RAW Images for IR ............ 26
Profiles in Infrared: Brody Dezember ............................ 28
Creating Digital IR Images .............................................. 62
Imaging Sensors ................................................................ 62
Sensor Choices .................................................................... 63
Recording the Image .......................................................... 64
Focusing and Exposing in IR ............................................ 30
Focusing Differences .......................................................... 31
Focusing with Digital SLR Cameras ...................... 32
Hyperfocal Distance .................................................. 32
Depth of Field Scale .................................................. 32
IR-Converted Digital SLRs ...................................... 35
IR-Converted Advanced Compact Zoom
Digital Cameras ........................................................ 35
Focusing with Non-SLR Digital Cameras ............ 35
Exposing for Infrared Wavelengths ................................ 36
Bracketing .................................................................. 36
ISO Settings .............................................................. 36
Manual Exposure Mode .......................................... 36
The Proper Exposure ................................................ 38
Seeing in Infrared
40
Tweaking Black-and-White Images in Image-
Processing ............................................................................ 64
From Digital Color IR to Digital B&W IR ...................... 66
Mixing Color Channel ...................................................... 68
Plug-ins: Powerful Black-and-White
Conversion Tools ................................................................ 70
Profiles in Infrared: Carl Schofield .................................. 74
Digital IR Image Processing ............................................ 76
Scanning: Converting Your Existing IR Film
Library ................................................................................ 78
The Layers Function .......................................................... 80
The Layers Palette .................................................... 80
Adjustment Layers .................................................... 81
Creating Your Own Adjustment Layers ................ 82
Popular IR Image Effects .................................................. 84
Toning ........................................................................ 86
If One Tone is Good, Why Not More? .................. 88
What to Shoot .................................................................... 43
Profiles in Infrared: Paul Nuber ...................................... 44
Painterly Effects .......................................................... 91
Creating Digital Art ............................................ 92
Profiles in Infrared: Robert Williams .......................... 94
Solarization or the Sabattier Effect .............................. 97
Woodcut Effect .......................................................... 97
Hand Coloring ............................................................ 98
Actions and Artistic Options ....................................... 100
Creative Edges ............................................................ 102
onOne Software Photoframe .............................. 102
Photo/Graphic Edges ........................................ 104
Digital Noise .............................................................. 105
Noise Reduction Pro .......................................... 106
Grain Surgery ..................................................... 106
Digital GEM Professional ................................... 106
Noise Ninja ........................................................ 107
Noiseware .......................................................... 107
Profiles in Infrared: Eric Cheng ................................. 108
Printing IR Images with Ink Jet Printers ....................
130
Inks and Papers .......................................................... 130
Printing Your Photos ................................................. 132
Proofing ........................................................... 132
Printing ............................................................. 132
Portfolios ........................................................... 132
Managing Accurate Color
132
Lord Kelvin and the Temperature of Light ......... 133
Monitor Calibration ............................................ 134
Color Spaces ...................................................... 136
Output Solutions ........................................................ 136
Baby Can I Drive Your Printer .......................... 137
Ink on Paper .......................... ............................ 139
So Waddaya Do to Get the Best Results? ............ 139
Profiles in Infrared: Rick Sammon .............................. 140
Black and White in Color .......................................... 142
Printing Challenges
142
Get to Know Your Printer Driver ........................ 144
Creating Infrared Effects ....................................................
110
Powerful Plug-ins for Conversion to IR ..................... 111
Not So Pseudo-Infrared Color ................................... 116
Using Actions .............................................................. 117
Film & Grain Fx Simulator by das bosun ............ 119
Black and White Infrared Film by Rozilynn ....... 119
Craig's Actions ................................................... 120
Cross Processing ........................................................ 122
Do Your Curves Look Like Mine? ....................... 126
Cross-Processing Plug-ins ................................... 127
Profiles in Infrared: Reggie Linsao .............................. 128
Making a Personal Test Print .............................. 145
Ink Jet Papers ............................................................. 146
Long Lasting Prints .................................................... 147
Profiles in Infrared: Steve & Aaron Cathcart .............. 148
Website Resources ................................................................
150
Glossary ....................................................................................
152
Index ......................................................................................
158
foreword
By Rick Sammon
8
foreword
W
henever my Uncle Benny walked into a
room and flipped on the light switch,
he always announced, "Let there be
light." Sometimes he used a more witty approach
and said, "Let me shed a little light on the subject."
Hey, it may be corny, but Uncle Benny was right
about one thing: We photographers would be lost
without light.
Technically speaking, when we take pictures we're
recording visible light on a piece of film or a digital
i maging sensor. That's why it's important to closely
observe a scene's lighting conditions before we
make a picture.
But what about invisible "light," such as infrared
radiation?
Photo © Joe Farace
Photo © Rick Sammon
complete guide to digital infrared photography
9
Zgłoś jeśli naruszono regulamin