Projektowanie Mebli, 1990 (GB).pdf

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Contents
Introduction
SECTION 1
2
Creating'
Working
Drawing'S
JIM TOLPIN
47
Finding Design Inspiration
A Short History of Design
6RAHAM B
LACK
BURN
Drafting Basics
PH
ILI
P C LOWE
53
4
Models Help Projects Succeed
12
JAN
ZAITLIN
60
Quintessential Arts and Crafts
GRAHAM BLACKB
RN
Organize Yow' Projects
JIM
TOLP
IN
65
Building in the Language
of Greene and
Greene
THOMAS HU
GH STANGEL AND
20
A Drafting Table for Shop
or
Home
CAMERON RUSSELL
71
Elements of the Shaker Style
CHRIST
IAN
BECKSVOORT
28
CTiON 3
SECTION 2
Construction
by
Design
Doors Make the Difference
CHR
ISTIAN
BfCKSVOORT
Developing Designs
and Organizing Projects
Furnitw'e Desig'n: The Fow'
Objectives
M
IK
E
DUNBAR
77
Joining Legs to Aprons
34
GARRETT
HACK
82
Designing
Furnitw'e:
A
Survival
Guide
GARRETT
HACK
Graduated
Drawers
37
CHR
IST IAN
BEC
KSVOO
Rl
89
Exposing Your Back Side
41
CHR
ISTIAN
BEC
KSVOORT
91
Building' Without Plans
CRAIG
VANDALL ST
EVENS
C
ON 4
Designing Furniture
Making' Dining Tables
That Work
PETER TISC
H
LER
Designing for
Style and Function
95
Designing on the
Go:
A Coffee Table Takes Shape
PETER TURNER
120
Large-Case Construction
Strategies
BRUCE CO
H
EN
99
Where Furnitul'e
Meets the Floor
MAR
IO
RODR
IGUEZ
125
Designing a Chest of Drawers
GARRE
TT H
ACK
104
Dressing' Up a Basic Box
ROGER
H
OLMES
133
Sideboard Strategies
WILL
NEPTUNE
110
Going Over Edges
WIL
L NEPTUNE
136
Designing Table Legs
GRAHAM BLAC
K
BURN
142
Credits
Index
152
153
Introduction
_ _•
here is something wonderful
about
turning a rough
idea
into a wcll-
crafted, pleasing
and
useful
pic
e of
furniture
.
Th
e slIccessful
furniture makers
find a
"
ay to tie the piece
together
\
ith
little
consistent
details.They
expertly
craft
the
way
the horizontal
SlIffa
Ces
meet and
comp
liment the
verti
cal
lines
anel
parts.
Th
eir
eyL'S
and
minds
give
th
em
the propor-
tions
that make
the piece of furnitu
re
feci
grounded
and statuesque at
the same
time.
}jut it
doesn
'tju~t
happen
- at
least
not
for most
of
liS
.
Every
wood\ o
rker
should
save
his
or
her
Clr\t original
projecl,j
ust
a~
a
reminder of
how
tin
they'vc
come.
My
greatest
furniture- making
disaster
is
al
a
th
e
only
piece
f'vc
evcr mId.
It
was a
svelte
but
pitiful
w:t
ll
rack
for
displayi
ng
plates.
The
shelves we
re
too small
,
the j
oi
nery
v
as
ugly
and
the fini
sh
as
not
finish
ed.
But some
needy
sou
l
took
pay
o
n
it
and
it~
5
price
tag
at
our
yard
sale.
My se and, and much
more
origina
l,
proj
ect
is
sti
ll
in
o
ur
house,
althou
gh
it'
been
rdq~ated
to
the b:lse
rn
elll
guest
rOOIll.
Now,
w
hen
guests remark
all
the
crud e,
pine
cartee
table.
I
j
oke that my
bli nd
grandfather
made
it.
My ego
doesn
't su
ffer
because
I
assullle
they've seen th
e subse-
quent furniture projects were
good en
ough
to bri
ng
up
(j·orn
the
basernent.
I've
learned
a
great dea
l
about
fu
rniture
design
in
th
e
years
~ill
c
e
tbat
coffee
table
took
shape. Mu
ch
of
it I
learned
from
the
wood"
orkers
110
have
written
the
chap-
ters
of
th
is
book, be ause
many
have
I
een
2
shar
ing
their
secrets in
the pages o(
Pill/'
IV(l(ldIVOrkill<~
magazi ne
for
years.
In
the
chapters
that
(oIlO\'\',
you'lI find
guidance
on
furnjnJr(~
~ryl
es
such
as
Arts
&
rafts
and
Shaker.
You'll
learn
about
devel-
oping your sense
o(
aesthetic
design
and
th
e
correct
appro:lches
to
con
(ruction
de~ign.
Th
e
Taunton Press
edito rs
ofthj~
book
searched
th
e
issu
es
o(
Fil/('
/lVO(ldIllOrkill.<!
magazine to find the
b~l
ani Ies about
designing
flll"lIi
tu
re. Th
e
advi
ce
from
ollr
expe
ri
ellced
authors
will surely ill1p
ro
e
your appreciation
(or
:111
fine
hlrniture
design
.And
if
your woodworking
projccts
arc
alrea dy
good
enough
to
bring
up
LrOl
I\
the haSClllt'nt,
you'
ll
undoubtedly
unci
that
your
(lILlI Jl:
work wi
ll
be even
better
than
\
hat you've al
ready
put
on
di~
play.
-
T
im Sci
IITincr,
publish
er
of
Fili
I'
vMl(I{ll/IlIrkilll~
INTRO
DUCTION
3

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