Icon and Word_The Power of Images in Byzantium_eds Anthony Eastmond and Liz James_2003.pdf

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Icon and Word
The Power of Images in Byzantium
Sttidies presented to Robin Cormack
Edited
l:!J
ANTONY EASTMOND
AND
LIZ JAMES
Robin Cormack on Crete, 1995
ASH GATE
©the contributors 2003
All rights reserved. No part of this publication may be reproduced, stored in a retrieval
system, or transmitted in any form or by any means, electronic, mechanical, photocopying,
recording or otherwise without the prior permissionnfthe publisher.
Antony Eastmond and Llz James have asserted their right under the Copyright, Designs
and Patents Act, 1988, to be identified as the Editors of this Work.
Published by
Ashgate Publishing Llmited
Gower House
Croft Road
Aldershot
Hants GU11 3HR
England
Ashgate Publishing Company
Suite420
101 Cherry Street
Burlington,
VT
05401-4405
USA
Contents
Contn'butors
Abbreviations
Figures
vu
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xt
I
Ashgate website: http:/ /www.ashgate.com
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British Library Cataloguing in Publication Data
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Jas Elsner
Robin Cormack
Bibliography of Robin Cormack' s
Published Works
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Icon and Word : the power of images in Byzantium
1.Icons, Byzantine 2.Art and religion - Byzantine Empire
3.Art and society- Byzantine Empire
I.
Eastmond, Antony, 1966- IIJames, Liz III.Cormack, Robin
704.9'482'09495'09021
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Liz James and
Antony Eastmond
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Introduction: Icon and Word
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Library of Congress Cataloging-in-Publication Data
Icon and word : the power of images in Byzantium / edited by Antony Eastmond and
Liz James.
p.
cm.
Essays
by
doctoral students of
Robin
Cormack and a bibliography of
Robin
Cormack's
published works.
Includes bibliographical references and index.
ISBN 0-7546-3549-X
(alk.
paper)
.
1. Icons, Byzantine.
2
Art, Byzantine. I. Eastmond, Antony, 1966- II. James,
Liz. ID.
Cormack, Robin.
N8187.I242003
755'.2'094950902-dc21
2003045159
ISBN 0 7546 3549 X
PART 1: ICONS AND MEANING
1 Annabel Wharton Icon, Idol, Totem and Fetish
2 Rico Franses
When
all
that is Gold does not Glitter:
On the strange history of looking at Byzantine art
Icon and Portrait in the Trial of Symeon the
New Theologian
The Power of Inscriptions and the Trouble
with Texts
Art
and Lies: Text, image and imagination in the
medieval world
3
13
25
35
59
73
3
Charles Barber
4 Karen Boston
5
Liz James
6
Antony Eastmond Between Icon and Idol: The uncertainty of
imperial images
Printed and bound in Great Britain by MPG Books Ltd, Bodmin, Cornwall
vi
Contents
The Icon is Dead, Long Live the Icon:
The holy image in the Renaissance
Picturing New Jerusalem
7 Robert Maniura
87
105
8 John Wilkinson
Contributors
PART 2: ICONS IN CONTEXT
9
Maria Vassilaki
Bleeding Icons
Images of the Mother of God in Early
Medieval Rome
Iconic Images of Children in the Church
of St Demetrios, Thessaloniki
The 'Statuesque Hodegetria' and the Limitations
of the Sculpted Icon
The Migrating Image: Uses and abuses of
Byzantine icons in Western Europe
For the Salvation of a Woman's Soul:
An
icon
of St Michael described within a medieval
Coptic context
Archimedes into Icon: Forging an image
of Byzantium
121
135
All contributors are former students of Robin Cormack
Charles Barber
Karen Boston
Antony Eastmond
Jas Elsner
Maria Evangelatou
Rico Franses
John Hanson
Cecily Hennessy
Lucy-Anne Hunt
Associate Professor of the History of Art, University
of Notre Dame, Indiana
Independent Scholar, London
Reader in the History of Art, University of Warwick
Humfry Payne Senior Research Fellow in Classical Art
and Archaeology, Corpus Christi College, Oxford
Independent scholar, Athens
Assistant Professor, Department of History of Art,
Pratt Institute, New York
Assistant Professor of Art History, Hope College,
Michigan
Courtauld Institute of Art, University of London
Professor and Head of School of the History of Art
and Design, Manchester Metropolitan University
Reader in the History of Art, University of Sussex
Professor of the History of Art, Courtauld Institute of
Art, University of London
Lecturer in the History of Art, Birkbeck College,
University of London
Professor of the History of Art, Queen's University,
Kingston, Ontario
Associate Professor of Byzantine Art, University of
Thessaly
Professor of the History of Art at Duke University,
NC
Independent scholar, London
Independent scholar and barrister, London
10
John Osborne
11
Cecily Hennessy
12
John Hanson
13
Barbara Zeitler
157
173
185
14
Lucy-Anne Hunt
205
233
Liz James
John Lowden
Robert Maniura
John Osborne
Maria Vassilaki
Annabel Wharton
John Wilkinson
Barbara Zeitler
15
John Lowden
16
Maria Evangelatou The Purple Thread of the Flesh: The theological
connotations of a narrative iconographic
element in Byzantine images of the Annunciation
261
Select
Bibliograpry
Index
281
297
Abbreviations
ArtB
ArtH
BHG
BMGS
Byz
BZ
CahArch
DchAE
DOP
!RAJK
]WCI
JOB
Mansi
MGH
PG
PL
REB
SC
SPBS
VizVrem
Art Bulletin
Art History
Bib/i,otheca hagiographica graeca,
ed. F. Halkin, 3 vols
(Brussels,
1957)
Byzantine and Modem Greek Studies
Byzantion
Byzantimsche Zeitschnft
Cahiers Archeologiques
Deltion tes Chnstianikes Archaiologikes Hetaireias
Dumbarton Oaks Papers
IZfiestiia
nmkogo
arkheologicheskogo
instituta
v
Konstantinopole
Journal
ofthe
Warburg and Courtauld Institutes
Jahrbuch der Ostemichzschen Byzantimstik
G.D. Mansi,
S acrorum conciliorum nova et amplissima
collectio
53
vols (Paris, Leipzig,
1901-1927)
Monumenta Germaniae historica
J.P. Migne ed.,
Patrologia cursus completus. Sen"es Graeca
(Paris,
1857-66)
J.P. Migne ed.,
Patrologia cursus completus. Series Latina
(Paris,
1844-80)
Revue des etudes byzantines
Sources chretiennes
Society for the Promotion of Byzantine Studies.
Publications
Vizantiiskii V remennik
Figures
Colour Plates
I
Deposition and Lamentation, from the Morgan Lectionary, 1050-1100.
New York, Pierpont Morgan Library, MS M639, fol. 280r (courtesy of
the trustees of the Pierpont Morgan Library, New York).
Deposition and Lamentation, from the Morgan Lectionary, 1050-1100.
New York, Pierpont Morgan Library, MS M639, fol. 280r (courtesy of
the trustees of the Pierpont Morgan Library, New York).
Virgin and Child Enthroned, c.843-867. Apse Mosaic. Hagia Sophia,
Istanbul (EJ.W. Hawkins).
Virgin and Child Enthroned, c.843-867. Apse Mosaic. Hagia Sophia,
Istanbul (E.J.W. Hawkins).
II
III
IV
Black and White Figures
1.1
Weekfy World News,
1 November 1988: 'Painting of Elvis weeps real
tears'.
Raphael,
Madonna
Vienna).
2.1
ef
the
Meadows,
1505 (Kunsthistorisches Museum,
4.1
4.2
4.3
4.4
4.5
Icon of Christ, 6th century. St Catherine's Monastery, Mt Sinai
(reproduced by courtesy of the Michigan-Princeton-Alexandria
Expedition to Mt Sinai).
Christ between Sts Peter and Paul, 4th century. Catacomb of Petrus and
Marcellinus, Rome (after
0.
Marucchi,
Le Catacombe Romane
(Rome,
1933), Fig. 114).
Transfiguration, 6th century. Aspe of St Catherine's Monastery, Mt Sinai
(courtesy of A.F. Kersting).
Chalice of Romanos, lQth century. Treasury of San Marco, Venice
(courtesy of Procuratoria di San Marco, Venice).
Baptism, c.1100. Daphne (Conway Library, Courtauld Institute of
Art).

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