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Frontline Snipers
The dirty art of sniping from
the trenches in WW1
The Iron Fist
The Wehrmacht’s deadly WW2
armoured assault artillery
Stellungsbau
Constructing the German
defence networks of WW1
Battle of Britain
Adolf Galland analyses the
Luftwa e’s 1940 air war
Iron Cross
GERMAN
MILITARY
HISTORY
1914–45
£8.99
ISSUE 3
DISPLAY UNTIL
25 MAR 2020
Predators of the Channel
The Kriegsmarine’s powerful killer torpedo boats of World War Two
HELMUT WEITZE
M i l t ä r i s c h e
A n t i q u i t ä t e n
K G
Fine Military Antiques
As one of the leading dealers in Europe, we are specialised in german
Militaria from 1800—1945.
We offer medals & decorations, uniforms & insignia, hats & helmets,
swords, daggers & bayonets, soldbooks & documents, wartoys from Lineol
& Elastolin and much more. Please visit our homepage with over 20.000
articles.
Weekly update every friday at 6:30 pm (german time).
Helmut Weitze Militärische Antiquitäten KG
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Phone: 0049 40 / 471 132 0
Fax: 0049 40 / 353 563
www.weitze.net
info@weitze.net
Shop hours:
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WE LCOM E
Editorial O ce
P O Box 4984, Windsor SL4 9FN
Publisher
Rob McDonnell
robm@warnersgroup.co.uk
Editor
Andy Saunders
andy.saunders@warnersgroup.co.uk
Tel: 01753 770712
Consulting Editor (Historical)
Robin Schäfer
robin.schaefer@warnersgroup.co.uk
Head of Design and Production
Lynn Wright
Editorial
elcome to this third
issue of
Iron Cross
magazine.
The word ‘iconic’
is often bandied about in relation
to certain items of equipment
used by all nations in both World
Wars. In this issue, we focus on two
pieces of machinery from the 1939
– 1945 period: the Schnellboot and
Messerschmitt Bf 109. Additionally, we
look at the steel helmet, or Stahlhelm,
of the First World War. It would be
hard to argue anything other than that
all of those objects are iconic in terms
of how they are remembered.
Without any doubt, the S-Boot was
a remarkable piece of kit. In many
respects, it was ahead of its time.
Like so much German equipment,
it had a technological ‘edge’ over
its adversaries. At least, during the
early part of the war. Similarly,
the Messerschmitt 109 with its
equally sleek and menacing look. Its
association with leading fighter aces
adds a further layer of interest. Add in
colourful paint schemes and quirky
unit emblems and it is easy to almost
be seduced by the alluring beauty of
the machine itself.
Certainly, many of our readers will
be greatly fascinated in the materiel
of war produced by Germany in both
conflicts. However, we are pulled
up short in any fascination with the
Stahlhelm, for instance, when it is
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PUBLISHED BY
Warners Group Publications,
The Maltings, West Street, Bourne,
Lincolnshire PE10 9PH
Tel: 01778 391000
Fax: 01778 392422
ISSN 2632-4725
Cover artwork by Keith Burns
depicting S-Boote in the English
Channel under attack from RAF
Beaufighters. During the D-Day
operations, S-Boot flotillas often
attempted to disrupt Allied shipping.
www.keithburns.co.uk
This publication is
printed by Warners
01778 395111
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juxtaposed against the terrifyingly
awesome Flammenwerfer of the same
period which we look at in some detail
in this issue of the magazine. It would
be difficult to find a more hideous
example of the sheer horror of war -
which each side inflicted on the other
- than this ghastly weapon. Sobering
indeed.
Again, if any reminder were needed
as to man’s inhumanity to man, then
our piece looking at incendiary pellets
and sharpened trench spades of the
First World War provides us with just
such a reminder.
On the other hand, we are also
reminded of the humanity and
compassion which was sometimes to
be found in the midst of all the horrors
of warfare through our heart-warming
feature ‘Stille Nacht, Heilige Nacht.’
However, returning to the S-Boot
and Messerschmitt 109, both are
prime examples of wonderful pieces
of technology and machinery. It is
entirely appropriate that we should
examine them, admire the engineering
and applaud efforts to restore
surviving examples of such machinery.
But we should only do so by keeping
very firmly in mind the evil regime that
such equipment had served during the
Second World War.
Andy Saunders
(Editor)
Robin Schäfer
(Consultant Editor – Historical)
01778 392489
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All rights reserved. Dates, information and prices quoted are believed to
be correct at time of going to press but are subject to change and no
responsibility is accepted for any errors or omissions. Neither the editor
nor the publisher accept responsibility for any material submitted,
whether photographic or otherwise. While we endeavour to ensure that
firms and organisations mentioned are reputable, the Editor can give no
guarantee that they will fulfil their obligations under all circumstances.
Whilst every care has been taken to compile current valuations, the
publishers cannot accept liability for loss, financial or otherwise, incurred
by reliance placed on the information herein. Quoted prices are indicative
and are for illustrative purposes only. Always seek expert advice with
regard to valuations.
DISCLAIMER:
The views expressed by contributors and advertisers are not
necessarily those of the publishers. Every care is taken to ensure that the
contents of the magazine are accurate but the publishers cannot accept
responsibility for errors. While reasonable care is taken when accepting
advertisements, the publishers cannot accept any responsibility for any
resulting unsatisfactory transactions. They will however investigate any
written complaints.
ANDY
Andy has been involved in
the world of military history
for around 45 years and
is particularly well-known
in historic aviation circles.
He has previously edited
military history magazines,
was founder and first curator of a leading
UK aviation museum, a published military
history author and specialist consultant and
contributor for the media, television and film.
ROBIN
Robin is a respected
German military historian,
public speaker and
published author who has
made his specialist study
the life of the German
soldier in wartime. In this
role, he acts on a worldwide basis as a
historical consultant and advisor to both
print and television media, and to military
museums.
IRON CROSS
3
IN T HI S I S SU E
CONTENTS
ISSUE THREE
Features
12
 
CHANNEL PREDATORS
The dramatic Second World War
story of the Kriegsmarine’s feared and
highly successful S-Boot flotillas which
prowled the English Channel is covered
in detail by Robin Schäfer.
valued pieces of weaponry in the
Wehrmacht’s armoury, as Dr Adrian
Wettstein explains.
116
24
A DIRTY DUTY
This fascinating feature, with
colour by Richard J Molloy, looks at the
relatively unknown aspect of the ‘art’
of German trench sniping during the
First World War.
ABOVE THE TRENCHES
(PART 2)
We conclude the fascinating diary
of First World War fighter pilot, Josef
Kister, accompanied by yet more
stunning colourisation by Richard J
Molloy.
Regulars
40
GALLAND’S BATTLE OF
BRITAIN
One of the Luftwaffe’s best-known
‘aces’, Adolf Galland, takes a look at
the Battle of Britain from the fighter
pilot’s perspective in a piece drawn by
Andy Saunders from Galland’s post-war
commentary.
‘STILLE
NACHT, HEILIGE
NACHT’
The extraordinary story of a valuable
religious artefact and how it played into
a highly unusual Christmas Truce event
on the Western Front of 1914.
THE IRON FIST
The Sturmgescütz was one
of the most versatile, ubiquitous and
6
 
RESTORATION PROFILE
We get unique access to a Battle
of Britain Messerschmitt 109-E
restoration project which will return the
aircraft to flight.
BOOK REVIEWS
We review some of the latest
German military history titles.
40
50
60
READER’S LETTERS
A selection of our reader’s
letters to the editor.
SOLDAT – A STURMGESCÜTZ
ACE
A revealing interview with a Knight’s
Cross holder who served with a
Sturmgeschütz unit.
64
 
54
59
80
NOTES FROM THE ARMOURY
In this issue, our regular look
at German weaponry examines in
detail the infamous and dramatic
Flammenwerfer of the First World War.
MYTH BUSTERS
In our occasional ‘myth busting’
series we look at the extraordinary
case of the Heinkel 113 deception.
70
74
98
 
OBJECTS IN FOCUS
A selection of some exceedingly
rare battlefield artefacts from the ‘In
Flanders Fields’ Museum’ fall under the
spotlight in this issue.
EDITOR’S CHOICE
MUD, BLOOD AND GEOLOGY
If the trench systems and defences of the First World War might seem
almost random or haphazard in their positioning and structure, Peter Doyle
reveals that they were nothing of the sort. A great deal of thought, design,
engineering, science and understanding of geology went into the building of
defensive lines which stretched across a vast swathe of Western Europe during
the First Wold War.
4
IRON CROSS
CONTRIBUTORS
Introducing you to some of our main
contributors for this issue:-
PETER DOYLE
Peter Doyle specialises
in the understanding of
military terrain, with special
reference to the two world
wars. He is also an author
specialising in the British
experience of war and the material culture
of war with a number of critically acclaimed
books to his name. He is a Professor of
History at London South Bank University.
GUY BLACK
Guy Black is an engineer and
restorer of historic aircraft
from both world wars. He is
passionate about ensuring
absolute authenticity,
in both a historical and
engineering context. He is also a director
of the Duxford-based Historic Aircraft
Collection which operates and flies historic
warplanes.
SIMON VERDEGEM
Simon Verdegem is a
professional conflict
archaeologist from Belgium
who has worked extensively
on the battlefields of the
First World War, including at
Messines, the Ypres Salient and as founder
and lead archaeologist for the remarkable
‘Dig Hill 80’ battlefield archaeology project
in Flanders.
CHRISTOPH HÖPFER
Christoph Höpfer is a
German businessman with
a deep passion and interest
in all aspects of German
military history of the
Great War. His specialist
knowledge of his subject area makes him
one of the leading experts in uniforms,
equipment and weaponry of the period and
especially in relation to Verdun.
113
NEXT ISSUE
We reveal some of the
content in our next issue, on sale 25
March 2020. See page 62 to ensure
you get your copy!
COMPETITION
This month a chance to win
one of four signed copies of ‘Stuka
Attack!’ by Andy Saunders and a
piece of original artwork depicting the
Junkers 87 Stuka from the pencil of
James Baldwin.
COLLECTING MILITARIA
The truly iconic steel helmet,
or Stahlhelm, of the First World War is
examined in detail by Robin Schäfer
looking at the various designs,
camouflage methods etc.
WAR POSTER
A German Home Front air
raid precautions poster of the Second
World War is our chosen poster in this
issue.
115
 
70
© Chris Cox
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92
CONFLICT ARCHAEOLOGY
In this issue’s conflict
archaeology section, we cover the
fascinating recovery of a Focke-Wulf
190 aircraft wreck in Belgium.
PHOTOS FROM THE FRONT
In this issue, we look at
a haunting but seasonal family
photograph from the First World War
sent to a soldier serving on the front.
126
130
110
SEE PAGE 62 FOR DETAILS
IRON CROSS
5
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