The Electronic Tribute to Pink Floyd Artist Various Artists Album Title Electronic Tribute to Pink Floyd Date of Release Feb 15, 2000 Genre Rock Styles Electronica, Tribute Albums Type various artists 1. Welcome to the Machine performed by Vinny Fazzari - 6:08 2. Main Theme from the Film "More" performed by Kismet - 4:28 3. The Wall [Bassland Mix] performed by Alex Xenphon / Stuart Breidenstein - 5:56 4. Money performed by Dynamichrome / Alistair Foster - 6:29 5. One of These Days performed by T.H.C. / T.H.I. - 4:12 6. Comfortably Numb [Bassland Dub Mix] performed by Alex Xenphon - 5:33 7. On the Run performed by Cracker G - 3:37 8. Wish You Were Here performed by Mitchell Sigman - 4:35 9. Learning to Fly performed by CSM One O One / CSM 101 - 3:58 10. Have a Cigar performed by Hande Frei / Hande Trei - 4:34 11. Run Like Hell performed by Tin Electric / Alexandra Nicole - 5:27 12. On the Run performed by George Sarah - 5:25 13. Comfortably Numb [Acid Mix] performed by Alex Xenphon - 5:37 Brad Aaron - Mastering David Haerle - Executive Producer John Lindland - Executive Producer George Sarah - Producer, Performer Stuart Breidenstein - Performer, Drum Programming Vinny Fazzari - Producer, Performer Tin Electric - Performer Rex Quick - Executive Producer Mitchell Sigman - Producer Dynamichrome - Performer Alistair Foster - Vocals Cracker G - Performer CSM-101 - Performer H?nde Frei - Performer Alexandra Nicole - Performer Alex Xenphon - Keyboards, Vocals As tribute albums go, Electronic Tribute to Pink Floyd is a pretty interesting proposition, featuring big-beat, drum'n'bass, trance, and techno takes on some of the pioneering space-rockers' best-known material. In practice, some of the ideas work and some don't; the most disappointing are the versions that don't match the musical skill of the originals, as on the awkwardly recited, barely sung lyrics of "The Wall" or Dynamichrome's take on "Money," which smooths the 7/4 time signature of the original into a straight four-count beat. But some of the new arrangements are effective, bringing out either the ethereal atmosphere or the latent heaviness in the group's music, and recontextualizing it in electronic form. Classic-rock purists have a notorious distaste for any music not centered around guitars, but in truth, there's some pretty decent music to be found here. ? Steve Huey
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